BEST SELLER

voicing: SA | catalog number: SBMP 1439 | duration: 4:10 | price: $2.90
accompaniment: piano, djembe
Accompaniment Track: piano part - FREE Download
Instrument Part: djembe - FREE Download
Other Voicings: SAB, SA(T)B, SSAA, TBB, 2 Part Mixed, Unison

Ever clever, composer Narverud came up with a highly rhythmic celebratory composition. The title translates “We are one”, the theme being that all human beings have much in common. The energetic djembe sets the tone, the piano adds its own rhythmic design, and the singers deliver the message, at times sounding as though there should be a campfire at the center of their circle. This BEST SELLER is great fun, a profound message, and an intriguing piece. See composer notes below for pronunciation.


performance by: SATB Studio Demo Recording - Jamey Ray, Producer (includes proper pronunciation) [© all rights reserved]

CLICK HERE: See and Hear the Complete Score or download a perusal copy: HERE

CLICK HERE: Read the Text or Poem

We all laugh, we all cry, we all feel hunger, we all feel pain.
We all love, we all hate, we all hope, and we all dream.
We are one world, one people. And we all breathe the same.
A tribe of many languages, a group of many heartaches,
fighting for peace among the land.
Heja, heja, sisi ni moja. Heja, heja, we are one.

We all want, we all need, we all seek passion, we all seek joy.
We all bruise, we all scar, we all fail, but learn to thrive.
We are one world, one people. And we all breathe the same.
In the darkness of the night and in the glory of the morning,
we walk along the path and find our way.

Now we stand here together and lift our hearts in song
to the rhythm of this moment in our lives:
Heja, heja, sisi ni moja. Heja, heja, we are one.

Jacob Narverud

CLICK HERE: Choral Tracks (Practice made simple)

Sisi ni moja (We Are One) choral track bundle contains a part dominant track for each voice part, a balanced voices track, and an accompaniment track if the work is not a cappella (the accompaniment is also included with the part dominant and balanced voices track). Get more information and listen to samples HERE. Please note that the choral score is not included in the bundle and needs to be ordered separately.

Price: $49.99 (Each bundle is licensed to be used by up to 50 users)
Please adjust the quantity accordingly if you have more than 50 users.

CLICK HERE: Jacob Narverud performance notes

The original voicing of Sisi ni moja was commissioned in 2015 for the Michigan State University Children & Youth Choirs by their director, Kyle Zeuch, to celebrate unity and community through cultures. This piece was written specifically for their world-music concert theme, “We are One.” It was requested to be similar in style to my arrangement of the Kenyan song “Jambo,” and was commissioned by the director for SA(T)B choir, piano, and djembe. The SA voicing was written two years later (2017) for the Lawrence Children’s Choir in Kansas, Carolyn Welch, Director, and a TBB voicing was requested by the publisher later that same year.

I wanted to create an uplifting, hopeful song that had a modern, popular-style vibe and dealt with the choir’s theme of unity and one-ness. Since the piece was intended to represent all people and all cultures, I sought to write a text that would reflect just that. I was teaching high school at the time, and a student in one of my choirs was from Kenya. I asked her to assist me with a Swahili phrase that I could combine with a new original text, which would translate specifically to “We are One.” Though not a common Swahili phrase, we came up with “Sisi ni moja,” pronounced “Moh-Jah” with a hard “J”. “Heja” (pronounced “hey-yah”) is a non-word with no literal meaning, and does not represent any specific culture. It is given a more instrumental treatment in the chorus, acting as a joyful, declamatory backdrop to the song’s message of unity. This “celebratory chant” mirrors the piano and djembe’s heavy rhythmic influence, energizing and driving the song forward.

When I wrote Sisi Ni Moja I specifically chose chord progressions that would be familiar to the ear of both the audience and the singers performing. These popular music chord progressions, coupled with the speech driven rhythms and repetition in the piano, allow listeners to feel an instant connection to the music and focus on the message of the text.

-Jacob Narverud (2018)

This score is available in Printed or ePrint format at checkout (More Information)

Reviews | submit review

"I love SISI NI MOJA and it's beautiful words and meanings. EVERYONE should sing thiis this amazing work!"
review by: Paula Anderson, Minneapolis, MN - Choir Member

Featured on the following reading sessions
2024 | Suffolk County MEA Reading Workshop Choral Reading Session
2024 | GMEA Statewide Elementary Reading Session Choral Reading Session
2023 | MSVMA Summer Conference Reading Session
2022 | Southern - Arlington Public Schools In-Service 2022 All Elementary and Secondary Choral Reading Session
2022 | Florida State University ORFF-Schulwerk Course July 11 to 22.
2022 | Southwestern - North Texas Fine Arts Conference 2022 5th-6th Grade Choir: Music through the Year Reading Session
2022 | Southern - Mississippi MEA-ACDA State Conference 2022 Junior High/Middle School Reading Session Reading Session
2021 | Florida Vocal Association's Summer Conference July
2021 | Oregon MEA Choral Reading Session - June 3
2020 | Chadron State College High Plains Festival - February 3
2020 | Southwestern ACDA - March 5-7th
2019 | Connecticut ACDA Fall Conference
2019 | DE MEA Arts Conf MS & HS Choral Reading Session
2019 | FL MEA Choral Reading Sessions
2019 | Horry County(SC) Staff Development
2019 | MN MEA Midwinter Clinic
2019 | PMEA District 11 Fall In-Service
2019 | SC MEA Professional Development Conference
2019 | Spokane Falls Winter Choral Reading Session (WA)
2019 | VA Music Educators Conference
2019 | Wyoming State Music Conference 2019
2019 | Lutheridge July 7-13, 2019-I. Pointon & E. Floyd
2019 | SD ARDA Summer - July-August 2, 2019 - J Fauss & A Deckert
2019 | ACDA Voices United Reading Session at George Mason University
2019 | Kesne: SIP & Sing Choral Reading Session - September 6
2019 | Nebraska Chroral Directors - July 7-10
2019 | CA Choral Directors Assoc. Fall Northern Regional Conference
2019 | AZ MEA Conference
2019 | ACDA National Convention in Kansas City - Middle School Music Reading Session
2019 | SLCMEA Reading Session, Laura Gilbert, March 22, 2019
2019 | St Lawrence County MEA prof development session 3/22/19
2019 | 2019 Georgia All-State Honor Choir Reading Session - Middle School Treble
2019 | MD Music Educators Conference
2018 | Clarksville Montgomery County Schools Inservices. 6/5/18
2018 | FABM reading session in Green Lake, WI in July
2018 | TCDA Reading Session - July 26-28 - San Antonio, TX
2018 | ND ACDA Reading Session a in Fargo - 2/2
2018 | OAKE Reading Session - March
2018 | Brumfield at OAKE Reading Session in March
2018 | MEAChoral Reading Sessions on 3/1-3/3
2018 | Dorian Vocal Festival - Luther College, Decorah, IA - 1/15
2018 | New Sounds Kansas 6/12-14/2018
2018 | University of SD Choral Directors Institute RS, 6/20-22/2018
2018 | "Surviving & Succeeding as a HS choir director" event, June 25-29 at Vandercook College of Music with Stan McGill.
2018 | L EGM Middle School Reading Session, 11/5/18
2018 | IA MEA, 11/15-17 2018, Mid School RS, Shirley Luebke
2018 | Calvert County MD Public School teacher in-service day reading session
2018 | Erynn Millard Reading Ses. European Music Ed Brussels, Belgium 11/2
2018 | Michigan ACDA Fall Conference at Western Michigan University in Kalamazoo, MI.
2018 | Popplers Elementary Clinic - Aug 9th with Mark Burrows
2018 | NJ ACDA - July 23-24
2018 | TN ACDA 7/26-7/28 and Univ. Memphis Summer Orff 7/9-7/20
2017 | Summer Reading Session Winnepeg - August 24-26
2017 | J.W. Pepper New Sounds Reading Session in Syracuse